Stab Victims!
Credits & Info
- Date
- 05/26/2013
- File Info
- Song
- 6.8 MB
- 3 min 45 sec
- Score
- 4.65 / 5.00
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Licensing Terms
- Attribution:
- You must give credit to the artist.
- Noncommercial:
- You may not use this work for commercial purposes unless you make specific arrangements with the artist.
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Author Comments
overusing the stabby, plucky sounds
I feel like stabbing myself in the ears now
this one was basically just another exercise in attempting to make house sound appropriately produced/mastered
Honest votes and reviews are appreciated!
Reviews
Rated 5 / 5 stars 7 days ago
Wow. I love house. Take my 5 stars.
Rated 4 / 5 stars 8 days ago
Okay so,starting from the very first second,i was reminded of a Club scene.
(that's a good thing)
Not all that self repeating IMHO either.
Also very...err, *easy* to listen.
The use of bass is also very well done,not TOO loud or *place* consuming.
Rated 4.5 / 5 stars 2 weeks ago
Very well produced and very musical. This was alot of fun to listen to. Keep it up!
Rated 4 / 5 stars 2 weeks ago
You've been quite busy recently. Keep pumping them out.
I suppose the transitions are up to taste, some would prefer a second extra, but that mostly ends in a cheap overlay and no one's really helped with that.
Where was I? Good music. Maybe not specifically my taste, but we all have to live with that. :P
Rated 5 / 5 stars 2 weeks ago
I completely accept and advocate extreme, random transitions. I start to find myself instead noticing the innovation in how they connect rather than how upsetting it may be...of course there's a right and wrong way to do transitions like this hahahahah. This was executed perfectly, put a lot of extra flavor into it and kept my mind interested and surprised. I cannot stress enough how I just want to be taken by you...to the bedroom...to dance to your music. Adding this to my library of you on my iTunes <3
keep them sexual advances coming!
I, personally, didn't think the key change was too extreme, but it was a key change, which, to be honest, isn't all that common in electronic music anyway - most tracks tend to stay in one key - but, oh well... they were essentially direct modulations, so I can see how they might have seemed abrupt