Hmm. I have various thoughts regarding this track, ranging from the lush, vivid visuals I have in my mind right now to the more technical aspects. Let me split into parts for you.

The intro is delicately crafted and goes well with the feelings of inner turmoil, struggle and motion. It is crafted in a way that no sounds prevail to each other, and the incoming subtle distortion adds more dynamics to the ensemble, while the mix still remains relatively quiet. I don't spot any cons here, since it sets the mood fairly well for the rest of the track. I'd also like to point out the layered percussion, very delicate contouring the sonic environment.

The second part after the first minute mark sets a new mood. The fast delayed arpeggios are my most favorite bit here, along with the introduction of a steady heartbeat-like kick line, creating a tense, dark and dense atmosphere. The distortion makes its return in a glorious fashion, although the lack of sidechaining is evident, as the kick overcompresses the mix creating an unpleasant "pulse" that will last until the finale. It's that kind of imperfection that doesn't seem to be unforgiving, but depending on who you talk to, either contributes or ruins the sonic experience. I think it's a tolerable option since overall, the piece in itself runs smoothly and the lack of prominent transitions doesn't seem to distract the listener from appreciating the dark, enveloping beauty of this shard of familiar reality.

From the third minute and onward, little ear candies pop up here and there adding a bit of variety to the ensemble, including the recurrent piano (I think it's piano or otherwise electronic sounds) notes and an important protagonist: the choir. Now here is where things start to get opinion-shattering. Personally, while it tries to set and confirm the overall mood of the segment it's featured into, it doesn't contribute in making it more interesting and it stays low buried in the distorted and overcompressed soundscape. I would have liked a different climax, where the choir - more twisted and dark - shines alone over very few percussive elements in the background layers of the song, setting an ominous and dreary feeling, perhaps even loneliness and desolating despair. In its current state, the choir is there, it's present... just not enough to set its own character.

Overall, it's the best "you" I've ever listened to in weeks. You're in great shape and there's always much to paint in the vast canvas you're seeking to fill with colorful thoughts and emotive patterns. I enjoyed the semi-Industrial surrealism, the research for another kind of experience, the experimental mindset.

Keep going
KKS

Very dark ambient. Definitely felt the molecular level of a silver helix at 2:55. I like its softcore hardcore quality, reminds me of Silent Hill boss fights. The collective of your music reminds me of múm. A few iffy things...the beginning, which I loved, was not connected to the beginning that was actually connected to the rest of the song. If it was more so, I think that would have been more enjoyable. Also the looping quality was not present, it was a standalone song. Just a few minor things, but the use of the cavern atmosphere and especially the choirs really stood out for me. This would serve a great suspenseful purpose in the background of some horrific videogame event. I really do see something Silent Hill...running from a violently twitching flesh creature wearing a dirty angel costume. Its quickly gliding along the ground at you while you're darting through the hallways of a gigantic ruined chapel. You find a metal crosier on the ground and manage to beat the creature to death, but you turn around to find five more rushing to get you. Anyways, it's an honor to be dedicated too! Thanks for that and for making this neat darkness song!