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Credits & Info

Date
07/15/2012
File Info
Song
6.2 MB
2 min 42 sec
Score
3.56 / 5.00

Licensing Terms

Attribution:
You must give credit to the artist.
Noncommercial:
You may not use this work for commercial purposes unless you make specific arrangements with the artist.
Share Alike:
If you alter, transform, or build upon this image, you may distribute the resulting creation only under a license identical to this one.
Score:
Rated 3.56 / 5 stars
Plays & Downloads:
474 Plays | 35 Downloads
Share Links:
Genres:
Easy Listening - Classical
Tags:
composer
orchestral
soundtrack
cinematic

Author Comments

This song features orchestral instruments such as Viola, Violin, and Cello, partnered with modern cinematic instruments such as drums, bass guitar, and pianos.

Reviews


samulissamulis

Rated 4 / 5 stars

First off, Welcome to Newgrounds, I hope you enjoy your stay. :)

From a first impression, this piece is nice and rather pleasant to listen to, with good drums, melody, and progression. Although I dislike overly repetitive figures, you do a good job transitioning into new themes and motifs as time passes so not to bore the listener (you have that same "keep writing new passages until you find a good stopping point" mentality I have, it seems XD).

One thing you should work on is clean transitions- things like percussive rolls (cymbal, drum, etc.) to smooth over a sharp transition- in orchestral music, cymbals are your best friend.

I find the piece to have rather flat "highs" (such as around 2:00), it's barely different in volume compared to previous parts. There you must push further and transcend the bounds- be it a key change, or additional instruments (you could add a full chorus, a counter-melody on cello (consider counter-point and a running counter-melody that is prevalent), or so many other things... I did notice you added rather quietly some trumpet).

The style of the piece is very contemporary and only orchestral by the fact that it has strings. I honestly see this, no offense, best put in a sideshow of a vacation or a trip or perhaps a montage-style cut in a film. I still enjoy the piece greatly, as it does well with the chief quality of all cinematic music- to pass on emotion.

In that emotional regard, there is a rather odd side; although it is a relatively joyful piece, it has sentimental, if not sorrowful moments. This essential "two-tone" style of a happy passage and a sad passage is a really good way to go when working on original pieces.

Mixing is well done and the piece is clear.

May I ask, how long have you been composing? Have you taken classes in Composition and/or Scoring?

Good work on this piece, I hope to see more in the future. Consider posting your work in the Review Request Club thread or advertisement thread in the future though. :)

Keep compos(ed/ing)!

-Samulis


People find this review helpful!
ryancrosthwaite responds:

Hello, thanks for the in-depth reply! I appreciate all the time and thought you put into it and will definitely be applying some of the technique you mentioned in my next pieces. As for transitions and volume / key changes- I definitely agree and need to work on those more.

As for my own compositions: I haven't actually taken any formal theory or composition classes yet, though I am starting a Theory class next semester and an internship with my professor to begin learning modern composing techniques. At the next college I'm transferring to I will be taking formal composition classes, as the one I'm at now doesn't have anything like that. Additionally, I do not know anything above basic counter-point (such as major thirds, fifths, and sixths) and that is only because I did some very minimal self-study in it. I have been composing and arranging for maybe a year at the most now.

I am very new to Newgrounds and not sure where it's appropriate to post things yet, could you send me a link to what you just mentioned?