Be a Supporter!

Maurya Thunder - RAC'12

Download this song! Lights Expand Collapse

Credits & Info

Date
02/09/2012
File Info
Song
9 MB
3 min 57 sec
Score
4.55 / 5.00

Related Content

You might also enjoy:

Licensing Terms

Attribution:
You must give credit to the artist.
Noncommercial:
You may not use this work for commercial purposes unless you make specific arrangements with the artist.
Share Alike:
If you alter, transform, or build upon this image, you may distribute the resulting creation only under a license identical to this one.
Score:
Rated 4.55 / 5 stars
Plays & Downloads:
3,006 Plays | 155 Downloads
Share Links:
Genres:
Electronic - Dubstep
Tags:
None

Author Comments

RAC '12- INDIA SUBMISSION

MAURYA THUNDER BY MOONBURN

When I first chose to write a dubstep- Goa fusion track for India, I felt a little trepidation (read: I almost posted straight afterwards to withdraw my application). Thing is, India has a VERY rich cultural background. If I got too far into some Bhangra elements, my music would become riddled with clichés, a novelty track. If I tried to go into the typical deep, rolling sound of dubstep, I'd just sound likea cheap Chase and Status.

I hope this got the balance right. The Raag (kind of like a scale, though there are also rules on intonation within a Indian Raaga, for example in my piece, the Pa is always approached through the Ma and the Dha is generally approached through vibrato on the Pa) I used to write it uses the flattened Ri, Dha and Ni, with Sa, Ga, Ma and Pa all natural. I was interested by the manner in which Indian classical musicians used expressive portamento, so I tried to make the most of that in the dubstep section.

Overall I just hope you enjoy.
Please leave reviews :D
I love reviews.

------------EXTRA NOTES ON RESEARCH-------------

In Indian classical music, a raag would often be used. This would contain seven notes (Sa Ri Ga Me Pa Dha Ni) which all natural would be a natural major scale. I won't go into them fully here, but there are strict rules as to how you can flatten or sharpen such notes for a raag. For mine, I flattened Ri, Dha and Ni mainly because in my research I listened to an inspirational raag, Raag Bhairav which used a natural Ga, and a flattened Dha, having the effect of creating a majestic yet sorrowful mood.

I spoke to my boss at work (a devout Hare Krishna) and he explained to me that traditional Indian music tends to be largely programmatic, setting a scene, often historical or religious. I looked through a lot of Indian history, and the scene I aimed to recreate with this piece was the Maurya Emperor Ashoka's last battle before he converted to the non violent path of Buddhism. It is said that this battle left over 100,000 dead (a large number indeed in Feudal East India), and it was the terrible slaughter of this night that led him to Buddhism. I thought this would be an interesting image to represent, blood and majesty intermingled, a sense of peace and violence, a moment of inevitable destiny. The brutality of dubstep would only help reflect the crashing violence of the battlefield against a thunderous sky.

A final note on the Indian classical elements: In a raag there is a specific structure to follow, and I kept to that largely (well, as close as I could whilst remaining true to the electronic elements). There are four sections in this: the Alap, a slow, largely improvised section, and is quickly followed by the Gat in which the same arrangement is accompanied by the tabla (although I used a bass drum), and then in the Jhala it all kicks off, with the tabla coming into full play (drop) before winding back down through the jhala section.

Goa trance: I listened to groups such as Shpongle and Miranda, but most of all I listened to NG's own Hopeku (specifically the psytrance stuff he does off the website). I loved Morning Moon in particular, the way a mist of psychedelic elements were sidechain compressed against a throbbing bass drum, so I thought I couldn't do India's culture justice without having a section in which these Goa elements came to the fore.

Reviews


kirja100kirja100

Rated 5 / 5 stars August 24, 2012

Not bad!!



TheEyeOfMusiKTheEyeOfMusiK

Rated 5 / 5 stars August 10, 2012

Really sick brah! I LOVE it!

-RMP


People find this review helpful!
AKACCMIOF responds:

Thanks dude :D


Adam-BeilgardAdam-Beilgard

Rated 5 / 5 stars March 19, 2012

Well done, combining these elements so fluidly! You show us your proficiency in the raaga before boasting your dubstep skills, only to bring it all back for an amazing mixture I doubt many western ears have heard (Indian ears, too, for that matter). It's like Sandeep Burman and Skrillex did a bunch of drugs and collaborated on a painting, only you could hear the painting as well as see it.

Or something. I'm bad at these.


People find this review helpful!
AKACCMIOF responds:

Thanks man! :D Really glad you *get* it, I especially enjoy synaesthetic reviews :P Popping off to listen to yours now, good luck in the comp :D


AirprogressiveAirprogressive

Rated 4.5 / 5 stars March 18, 2012

this track has an epic film feeling. It would suit perfect in some pre-action scenes xDD

Good work & good luck mate!

:)


People find this review helpful!
AKACCMIOF responds:

Thanks muchly man :D


PoniiboiPoniiboi

Rated 5 / 5 stars March 15, 2012

Dude, you got the balance right. This arrangement is amazing. Never a dull moment. I'm favoriting your ass and downloading this track whether you like it or not.


People find this review helpful!
AKACCMIOF responds:

Ahhh thanks man! :D We should totally collab.