The Pattern-"song"!
Good day, gentleman,
At first I would like to criticize your attitude as musician.
You apologize for a delay between this and your last submission. So i have to ask you, if this is a commissioned work? If not, then I guess you do not have to apologize for anything, because you are not working for anyone but for yourself, or don´t you ? I think it is not good to write music for people you do not even know, because I think that it will disrupt the exploration of your own musical language and thus it will limit your musical potential.
But now let us have a look at your piece.
Composition:
You have a pretty straight and easy structure. I would like to suggest to break this by using different time signatures. That would give your piece a much more flexible feeling. Later on, you used many musical elements from Denny Schneidemesser's "Entering the Stronghold". You said, you are inspired by him. People usually do not copy people whom they are inspired of. It would also be recommendable to use actual melodies in this piece. It is mostly made of staccato patterns overlapping on each other and petty long notes accompanying them. As for the title, the composition itself is not active enough to present a inexorable feeling.
Instrumentation:
You are using a quite simple instrumentation, which is also pretty cliché. The horns play the obligatory melody(sometimes along with the strings) and the strings play their staccato passages the whole time. I would like to hear some changes there by altering their functions.
I am also missing the trumpets in this piece, because they would work very well.
The part with the xylophone is nice but unfavorable, because in a real playing situation it would not be heard very well, so it would be good, if you double it with other instruments like some woodwinds, which I entirely miss in this piece. I think the choir is too silent at all, otherwise it would be a nice addition.
Mixing:
First of all, the reverb is too strong you can barely hear, what instruments are playing. As for the part, where people think, that this piece needs to be louder, we think, that it is already too loud because it even overmodulates at the end. The very first thing to do is to decrease the reverb, it would also solve the problem of the overmodulation at the end.
You are using the Symphonic Choir, but I suggest you should learn more about its function first, because it is a very complicated tool to use and to get nice results.
As you see, you have to put much more effort into making music like that. Try to explore your own musical language and please do not copy other's.
Best regards,
Sir Edward Eisenworth