Yes, I expected that the things might sound a bit off tune. Lately I've been giving the finger to normal scales. I think of a series of notes and roughly work withen the boundaries of those notes. The notes I like working in are usually E, C and A. Sometimes I have E flat E and F all together in a string for that bluesy friesh sound. Sometimes I have A, C, E flat and F sharp each note has two notes between them... and for some reason I like that. Of course that pattern doesn't exactly repeat itself very well if you continue it across the twelve note spectrum.

The high hat could easily be adjusted. Apparently I felt the same way while I was working on this because the high hat seems to be set surprisingly low, I'll check to see if there are any patterns that are set to have the high hits louder. But I somewhat agree, they could probably stand to be a bit quieter I guess.

I try to be different given the confines of the equipment given to me. Or maybe the people who make music that all sounds the same actually spent a fair amount of time studying the conventions of music that they never really exposed to enough of the unconventional parts of the artform.

Beat wise I think most of my songs are pretty tame. I don't think I have anything up in the portal that is off-meter.

I forgot to respond to this. You see I went to go listen to your music and never really got the chance. Yes I have reason to believe you did in fact just get drunk. Sergeon General Warning: Do not listen to Never Hundred's music if you plan on driving or using heavy machinery... for it will cause drunkenness.