Create a free account!

Instafineart (just add Bull%$)


Click on an icon to vote on this!

This artist has not been scouted yet.

Credits & Info

0.00 / 5.00

Oct 30, 2009 | 7:10 PM EDT
File Info
200 x 200 px
1.1 kb

Share this submission?

Licensing Terms

You are free to copy, distribute and transmit this work under the following conditions:

You must give credit to the artist.
You may not use this work for commercial purposes.
No Derivative Works:
You may not alter, transform, or build upon this work.

Author Comments

I call this piece the Eternal Regression of Existential Awareness. The piece highlight's the post-feminism male's quasi-quixotic quest for phenomenological being among the underlaying superstructures of post-modern anti-deconstructionism. The male's journey towards psychosomatic awareness often leads to the deontological implosion of his most deeply held convictions about the nature of eternal recurrence in a post-structuralist world. The isolation of his platonic being in terms unexplainable by contemporary epistemological terms has left his psychological sense of self at the mercy of post-Kantian antinomy (Kant having employed the antinomies of pure reason to show the consequences of misapplying regulative principles in the attempt to gain knowledge of noumena.) The breakdown of Kantian Transcendental arguments in the 20th century has left the male with a meaningless situational awareness of the distinction between things as they appear to us and things as they are in themselves. The inalienable nature of the relativistic nature of reality is the central theme of this piece as it seeks to rebel against traditional Bourgeois conventions of style and form. The exploitation of art under the capitalist regime has produced a bastardized amelioration of logical positivism and by extension demand for the penultimate anthropomorphized amphiboly of form to instill the proletariat with craven materialist values. So I was doing this guy in the ass, then he grabbed my balls, so I was like "dude, what are you, gay?" The Syncretic analogization of art has inebriated the male's basic drive for Socratic anamnesis. The liberation of art from the capitalist system is the central theme behind the juxtaposition of formless ideation against an existential void. The casual impetus of Hegelian phenomenological values has led to a revolution in the intrinsic animus of aesthetics among the current trends in anomalous monism. As our post-modern restructuring of positivism comes to terms with the apeiron, the male reaches the existential enlightenment of eternal recurrence as he grasps the concept of the boundless extent of the universe as undifferentiated matter while reducing the logical necessity of probabilistic semantics as defined by Kwame Anthony Appiah. The concept of alternate occurrence leads to the male's assertoric rejection of Aristotelean Metaphysics and the assertion of the male's Hylomorphic composition with speciation towards the innate actualization of the apodeictic. As the male reaches apperception, he is no longer confined within the hypostasization of the capitalist system, and thus reaches the aperture of recursive reified heteronomy of his existential will.

The bidding starts at 1.5 million dollars